What Remains
We are a multidisciplinary collective of visual artists, musicians, writers, educators, researchers and organizers formed in El Paso-Ciudad Juárez in 2018, with collaborators in Denver, San Antonio, New York, Mexico City, and the North of Ireland. Our projects integrate photography, illustration, installation, live music, soundscape, theater, ethnographic research, poetry and prose in the service of social justice and human rights. Our collaborations have been presented internationally through exhibitions, residencies, conferences, public programs, and community workshops. Over time, our work has expanded to consider the many conditions that shape human movement, including conflict, environmental change, labor, and the search for safety and opportunity. Through art, research, storytelling, and community collaboration, we bring together personal and collective histories, creating spaces where experiences can be shared, remembered, and connected across places and generations.

Causes: Arts and Culture, Migration, Social Justice

Over the past year, What Remains has traveled farther than we imagined—not only across places, but into classrooms, museums, shelters, farms, universities, and communities.

And none of this happened by chance.

Because of your generous support, we were able to bring What Remains and La Trenza into museums, art galleries, universities, elementary and middle schools, migrant shelters, community spaces, international conferences, and artist residencies—creating exhibitions, workshops, presentations, and collaborative interventions shaped by the people and communities we encountered along the way.

At Tecnológico de Monterrey, we were invited by Cátedra Alfonso Reyes, Cultural Heritage, Cultural Development and School of Humanities and Education Programs to create a space for dialogue where students and migrants living in shelters in Monterrey, came together to weave their personal objects and stories into La Trenza. The intervention became a shared act of storytelling, connecting lived experience with academic exchange. What Remains was also presented as part of the collective exhibition Migrants: A Tale of Two Hearts at both the Monterrey and Mexico City campuses, placing the project in dialogue with works by artists from Mexico and beyond.

In New Hampshire, Dartmouth College Social Impact students worked alongside migrant women from dairy farms in Vermont, weaving their objects, memories, and experiences together into La Trenza. Their contributions became part of the installation and of the growing archive of encounters that continues to shape the work.

We also shared the project at the American Anthropological Association Annual Meeting in New Orleans, bringing What Remains into conversation with researchers, educators, anthropologists and artists from around the world.

In Sicily, the RADICAL SHE artist residency at the Farm Cultural Park gave us the opportunity to create new site-specific work in dialogue with local communities, the landscape, and migration histories of the Mediterranean.

In Denver, the American Conference for Irish Studies and the University of Colorado invited us to participate in their annual meeting. We developed Las Juntas: An Comar, bringing together music, soundscape, theater, narration, photography, performance, installation, and dance, the project created an artistic encounter between Irish and Mexican histories and communities, exploring the connections that can re-emerge across different places, memories, and experiences.

Back in our region, in Ciudad Juárez, we had the honor of collaborating with Programa Compañeros as they celebrated their 40th anniversary. Together, we presented What Remains alongside communities they have led for decades through harm reduction, health, and human rights programs. The exhibition brought art into conversation with lived experiences along the border and created a space for listening, acknowledgement, dignity, and shared humanity.

Through each of these encounters, La Trenza continued to transform and reconstitute.

What began with objects rescued from the desert has been reshaped by the hands, memories, and stories of every community and every individual that has encountered it. Each object woven into the braid gives it new meaning. It carries traces of where it has been, the people who have touched it, and the stories entrusted to it.

La Trenza is no longer only an object we carry from place to place. It has become a living archive shaped collectively by everyone who has become part of its journey.

And because of you, that journey continues.

Your support allows us to create new work, document stories, organize workshops, collaborate with communities, travel and bring What Remains into places where these encounters occur. This next year we are working on publishing a book that contains research based data, testimonials and a visual narrative that represents the humanitarian document we have created about migration. We are also planning to store all the art works in one storage/studio space that will allow us to care for and preserve this growing archive so that the stories entrusted to us can expand, continue to travel and be shared locally and internationally.

As we look toward the next chapter, we hope you will continue walking with us. Every contribution, no matter its size, helps another story be heard, another community participate, and another connection take shape.

Thank you for believing in this work.

Braiding LA TRENZA installation in the Rio Grande, El Paso TX.
Students from Dartmouth College carry la trenza around the campus in New Hampshire
Students from Social Impact Program at Dartmouth College in front of Jose Clemente Orozco's Mural The Epic of American Civilization inside the campus library in New Hampshire.
Women working in dairy farms in Vermont braid their objects into La Trenza
Social Impact Students from Dartmouth College during their visit to El Paso
Social Impact students from Dartmouth College braiding at Abara Frontiers Hacienda in El Paso TX
Students from Social Impact program in Dartmouth College braiding La Trenza in Abara Frontiers Hacienda
Presentation for the American Conference for Irish Studies and the University of Colorado in Denver, at Su Teatro.
Las Juntas presentation at Su Teatro, Denver for the American Conference for Irish Studies and the University of Colorado.
La Trenza in St. Angelo Muxiaro Sicily, Italy during the RADICAL SHE Art Residency by Farm Cultural Park
Kids braiding their messages into La Trenza during the presentation in St. Angelo Muxiaro, Sicily Italy
La Trenza being placed in the grounds of St. Angelo Muxiaro Sicily
New Installation created LA FRONTERA DE AIRE during the RADICAL SHE Art Residency in St. Angelo Muxiaro in Sicily Italy invited by Farm Cultural Park
Mabel Weber painted a mural in Sicily Italy Museum for Radical She Art Residency by Farm Cultural Park
Video screening at Museo delle Città del Mondo, Palermo Sicily, Italy.
Adriana Alvarez presenting What Remains at the annual meeting of the American Anthropological Association in New Orleans
La Trenza presented at the American Anthropological Association Annual Meeting in New Orleans
Monica Lozano invited by Catedra Alfonso Reyes to present What Remains at Tecnologico de Monterrey Campus Monterrey
Migrantes exhibition at Tecnologico de Monterrey, Campus Monterrey
La Trenza workshop at Tecnologico de Monterrey campus Monterrey during the Catedra Alfonso Reyes presentation by Monica Lozano
Migrantes Exhibition at Tecnologico de Monterrey Campus CDMX
Migrantes Exhibition at Tecnologico de Monterrey Campus CDMX
Exhibition at Museo Tin Tan in Ciudad Juarez celebrating the 40th Anniversary of Programa Compañeros A.C.
La Trenza Workshop with women from Programa Compañeros A.C. in Ciudad Juarez at Museo Tin Tan
Encuentro Internacional de Movilidad Humana, Secretaria de Cultura Gobierno de Mexico, Monterrey.
LA TRENZA in Encuentro Internacional de Movilidad Humana, Secretaria de Cultura, Gobierno de México, Monterrey.
Museo de Las Americas, Denver Colorado
What Remains in Art Gallery of Guelph, ON Canada
LA TRENZA workshop at the Artseverywhere Festival, Guelph, ON Canada
Exhibition in Museo de Arte de Ciudad Juárez.
Sharing our work with kids from migrant shelters in Ciudad Juarez
Braiding under the bridge on the Rio Grande in El Paso TX
What Remains team carrying La Trenza at The Garden of Reflection Gallery in Derry, Northern Ireland invited by the Free Derry Museum during the Bloody Sunday Anniversary
La Trenza in Derry, Northern Ireland Peace Bridge
Supporting families in the mountains in Colorado
Cleaning and painting the Home of La Trenza Gallery in Abara Frontiers Hacienda, El Paso TX.
To Hell or High Water series, Rio Grande
What Remains Catalogue published in Guelph Canada by ArtsEverywhere Festival and Art Gallery of Guelph.
The First Catalogue Book
Our Progress
Our Goal $50,000
Total Amount Raised
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Number of Donations
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